In a Muay tahi Competetion

What techniques score?

The simple answer is all effective MuayThai techniques. However, this needs some explanation. The technique needs to be a Muaythai technique and not a kick or strike from another form of martial art. To produce a good score the technique should have a visible effect on an opponent. If a technique strikes the opponent's arms or shin, then generally the technique doesn't score. However, there are exceptions. For example, if a kick makes contact with a fighter's arm and physically moves the person being kicked or causes them to lose balance, solely due to the kick's power, that kick would score; although not as highly as a kick that had the same effect but cleanly made contact with the body.

The most important or best scoring techniques in MuayThai are those that have the greatest effect on the opponent. In both amateur and professional competition it is not the number or variety of techniques delivered but their effectiveness that is important in determining the winner of a fight. Therefore, it is possible for one competitor to use one type of technique exclusively and win if the use of that technique results in that competitor delivering more, effective techniques than their opponent. For example one competitor may win by only kneeing their opponent.
The very best scoring techniques include:

There are a number of techniques that judges in Thailand consider to be the best scoring techniques. These are the primary techniques that win fights, they include:
    Knocking an opponent to the floor with a concussive blow (if the referee gives an eight count, two points are initially be deducted from the counted boxer's score card, if the boxer fights back strongly or has previously dominated the round, a one point difference may be awarded)
    Unbalancing an opponent with kick or throwing action and immediately following with a strong striking technique
    Knocking an opponent off their feet with a strike or kick
    Throwing an opponent to the canvas using a legal throw
    An attacking technique or combination that results in an opponent turning their back on the attacking boxer.

Although judges are looking for overall effectiveness and dominance, the successful delivery of any of these techniques, without a similar or equivalent response from an opponent, would result in a fighter winning that round. Maintaining physical and mental composure is the essential for a fighter if they are to win a fight. This is the reason fighters in Thailand place such emphasis on stance, footwork and balance.

Judges are looking to award the fight to the strongest fighter. They are looking for evidence of the effect of techniques, mental strength, physical condition and technical ability. If a fighter is forced by his opponent to show weakness, or any evidence of not wanting to fight, the judges will award the fight to their opponent.
will Continue this Topic in Next Blog ... Keep in touch



Lets start from here now

Fighters will normally lose a round if they:
    Turn their back on an opponent (In Thailand turning away from a fighter would result in a fighter losing the fight and not only the round)
    Run or dance away rather than standing and fighting
    Committing repeated fouls on their opponent
    Use spoiling tactics or avoid fighting this includes, dropping to the floor when their leg is grabbed or in the clinch to avoid being countered and grabbing the ropes with intention of getting the referee to break the clinch.


Just because techniques make contact with a legitimate target doesn't mean they will score.

Techniques don't result in a point difference if:
    They are weak and not delivered with force and on balance
    They are immediately countered by an equally strong technique
    They can be walked through by the opponent with little effect (e.g. an advancing boxer looking to attack, walking through a series of combination punches to deliver a strong kick would result in no score for the boxer delivering the punches)


Techniques that can result in a point difference include:
    Techniques that cause a boxer to stop advancing and where that boxer doesn't counter attack immediately
    Techniques that cause a boxer to cover up and not attempt to fight back (e.g. a boxer covers their body with a cross arm guard to avoid getting kneed and takes repeated strong knees to the arms or covers up using an international guard without fighting back)

Although the rules suggest that all techniques have an equal chance to score, certain techniques are favoured by judges as being more effective than others. Judges generally consider:
    strong body kicks and well timed teeps (pushing kicks) that cause a loss of balance to be more effective than leg kicks (unless the low kick knocks an opponent off their feet or causes them visible injury)
    Strong knees as more effective than punches (unless the punch staggers or drops an opponent)
    Straight knees to be more effective than circle knees
    Elbow strikes as not being particularly effective, unless they cut, stagger or drop an opponent.

So a number of techniques are favoured over others by judges when scoring, and the techniques listed in the best scoring section are considered particularly important. Even if a fighter is fractionally behind in a round, and they deliver one of the techniques detailed in that section, they would clearly win that round. For example, if a fighter, slightly behind in round five of an otherwise equal fight, managed to throw their opponent off balance and follow with a strong knee, the technique would win the round and the fight for that fighter (unless the opponent countered later in the round with an equally good scoring technique).

Will Discuss Fouls Later INSHALLAH ... please keep Correcting me ..

The Deadly art of Muay Thai

I am not that good in writing but i'm trying to, i am Actually Kru Gohar Gul, Teach Muay thai, MMA and some more arts. i am trying to give the knowledge of muay thai so, the first part of Muay thai is the Historical part. which is not by my own but from our Masters "Kru Sit Hirun, Kru Samart Payakaroon and Ajhrn Kiatsongrit." Please Correct me if i am wrong some where...which can be Possible as its none of my Father's Art.. so Lets give it a Start...

MuayThai in the Sukhothai Era

Thailand’s capital was situated at Sukhothai from around the Buddhist years 1781-1951 (1238-1408 CE). Inscriptions in stone columns at Sukhothai indicate that Sukhothai fought with its neighbors quite often. Consequently, the city had to instill in her soldiers knowledge and skills concerning the use of weapons such as swords and spears, and also how to use the body as a weapon in situations of close person-to-person combat. Skills such as kicking, kneeing, punching, and elbowing were thus developed.

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MuayThai in the Krungsri Ayutthaya Era

The Ayutthaya Era lasted from B.E. 1988-2310 (1445-1767 CE). This period was characterized by frequent wars between Thailand, Burma, and Cambodia. Therefore, young men had to prepare themselves by developing self-defense skills.

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King Naresuan The Great Era (B.E. 2133-2147, 1590-1604 CE)

King Naresuan would call for young men of his age to train with him. They were trained to be brave, self-confident warriors. They had to be skilful with all weapons and in boxing.

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King Narai The Great Era (B.E. 2147-2233, 1604-1690 CE)

During this period Thailand was very much at peace and there were many developments in the Kingdom. King Narai supported and promoted sports, especially MuayThai, which became a professional sport. At this time Boxers wrapped their hands with threads that were dipped in thick starch or tar. This technique was called Kad-Chuck (wrapped with threads) or Muay Kad-Chuck (boxing with thread-wrapped hands). Boxers wore a head band, called the mongkon, and an amulet, or pa-pra-jiat, wrapped around their upper arms when they fought. Boxers did not fight according to weight, height, or age. The rules were simple: Fights lasted until there was a clear winner. Gambling accompanied the bouts. Villages would often challenge each other to boxing matches and boxing became an activity central to folk plays and festivals.

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King Prachao Sua Era (B.E. 2240-2252, 1697-1709 CE)

King Prachao Sua, also known as the Tiger King as well as Khun Luang Sorasak, loved MuayThai very much. Once he went, dressed in plain clothes, to a district called Tambol Talad-guad with four royal guards. There he entered a boxing competition. The promoter did not recognize the King, but knew that the boxer came from Ayutthaya. He let the King fight against very good fighters from 8

the town of Wisetchaichan. They were Nai Klan Madtai (killing fists), Nai Yai Madlek (iron fists), and Nai Lek Madnak (hard fists or punches). The Tiger King won all three fights. King Prachao Sua also trained his two sons, Prince Petch and Prince Porn, in MuayThai, sword fighting, and wrestling. During the early part of the Ayutthaya period the Department of Royal Boxing was founded. In the later part of the Ayutthaya Period, after the second loss to Burma in B.E. 2310 (1767 CE), there was one boxer of note.

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We will start from

WAI KRU :

Wai Kru is called Kheun Kru (the initial ceremony of paying respect to the teacher).

In Muay Thai, the boxer will always preface the fight with Wai Kru and this tradition is still practiced nowadays. This ceremony is usually performed to rousing Thai music from pipes and drums, and with the initial Ram Muau (the boxing movement). The Wai Kru and Ram Muay are useful, since the boxer gains encouragement from paying homage to his teachers and feels that he is not on his own: he has his teacher and the other teachers of the discipline to support him. The Wai Kru process will also give him time to concentrate and revise what he has learned, as well as display the nature of his weapons and the high degree of his skill. The steps, movement and use of his weapons are designed to warm up the bodyґs muscles, survey the field of play, and conceal the contestantґs style of fighting.

Hong Hern

After being in sitting manner until standing up in Dhepnimitra manner and then turn to the right.

Step 1: raise the right foot and straight it backward. Standing on your left foot. Bend your body to the front. Start to perform the dance by sprawling your arms, kneel down while turning the face side of your palms down.

Step 2: kneel up and bend up the wrist to raise up the fingers.

Step 3: lay your right foot on the floor then straight your left foot backward, continue to perform the dance alike the flying bird. The movement of body, arm and palm must correspond with the music.

Step 4: lay down your left foot then "Yang Sam Khum" (walk powerfully in three step) to change the direction. By turning you around to the "left direction" then step out your left foot, bend your body down to " wai " the "Pra-Bhrama-tis" (the direction of Bhrama ) at the left side just one time. Repeat to perform the " Hong-Hern" dancing styles by starting the first step to the third step again but in the fourth step you must turn to the backside "Wai Bhrama" and then repeat to perform the dance. The last time turn to the front side. (which is the original direction while you sit in the "Dhep Pha-nom" form) And then "Wai-Bhrama" perform the dance called "Hong-Hern" and "Bhrama Si Na" then you play "Yang Sam Khum" and bend your body down to salute your counterpart. It is the finish of the "Wai Kru" and the dance called "Hong-Hern" .

Yoong Fon Hang

To be continued …. In Next Blog INSHALLAH …

so here I am again to Discuss about

Yoong Fon Hang

To perform "Yoong-Fon-Hang" style, you must start from "Wai Kru" from the sit form called "Dhep Panom" to the stand form called "Dhep Nimitra" respectively.

Step 1: turn your body to right side, Wai Pra Bhrama for one time.

Step 2: step out your left foot forward. Raise up your right foot then straighten it backward bend down your body forward simultaneously. Put the hands together in salute at the chest level.

Step 3: turn the face side of your palm upward and slowly move your arms go through the armpits to the backside of your body until your arms are straight. All of tip fingers are closed together.

Step 4: move your hands out to the side of the body alike straighten your arms. Then move it round to come gathering at your face. Lift your chest and your face up while your hands were put to touch your head, while your right legs still stretch backward.

Step 5: hold down your right foot to stand straightly. Raise up your left foot then straighten it backward. Stand on your right foot and then repeat the step 1- 4 (it's just switch the right side to be the left side). Repeat to perform the dance for all 4 directions. Then get back to the corner with "Kow Yang" and bend down your body to salute your counterpart.

Yoong Ram Pan

To perform the "Yoong Ram Pan" style.

Starts with "Wai Kru" from "Dhep Panom" form and other form respectively until raise to stand up in the "Dhep Nimitra" form.

Step 1: turn around your body to the front direction "Wai Pra Bhrama" one time.

Step 2: step out your left foot forward. Raise your right foot and straighten it backward bend down your body to the frontward simultaneously. Which your hand clasping at the chest level.

Step 3: turn the face side of your palm upward and slowly move your arms backward through the armpit to the backside of your body until your arms are straight, move your hands out to the side of the body alike straighten your arms and move it round to come gather at your face. Repeat this way three times.

Step 4: move your right legs perpendicular to the floor. Raise the right foot up.

Step 5: raise your left foot and straighten it backward, repeat the step 1-4 and then perform the dance the same way in every direction. Then go back to your corner with "Kow yang" manner, bend down your body to salute your counterpart.

Sod Soi Mala

To perform the "Sod Soi Ma-La" style, starting with "Wai Kru" in sitting "Thep -Panom " until standing up in " Dhep-Nimitra".

Step 1: turn round your body to the right direction. Perform "Wai Phra Brahma" one time.

Step 2: step out your left foot forward. Raise your right leg and straighten it backward, lift it to the same level of your chin. Bend your left arm perpendicular to the floor. Stretch the tip of your fist up.

Step 3: insert left fist up inside of the right arm and beyond it up until right elbow parallel to the level of your chin.

Step 4: repeat the third step but change the right arm to be the left arm instead.

Step 5: repeat the steps 2-4 but change to stand by your right foot instead.

Step 6: repeat the dance for every direction. And then "Kow Yang" and bend down to salute the counterpart and go the your corner.

The King Rama Pheang Sorn .

To perform the "Phra Rama Plang Sorn" style.

Phra Rama Phlang Sorn style generally perform the dance just one direction. It's the direction of the counterpart.

Step 1: turn round your body to the right direction. Wai Phra Brahma one time.

Step 2: step your left foot frontward raise your arms alike you catch an arrow rod in your left hand.

Step 3: move your right hand to the backside alike you pick an arrow from your neck to the rod. Then pull the tendon backward 2-3 times but act alike not release the arrow repeat this for 2 time but in the third time you perform alike you lift the rod up high at the level of your ears. Stand still look straight at your target then release the arrow.

Step 4: while your release your arrow lay down your right foot on the floor and raise your left foot up frontward simultaneously. After that raise your hand at above the face. Act alike you are looking at the arrow you released. And waiting to see the result. If you are disappointed at the result cause from the mistargeted shot. You express by shaking your head right and left. if you are pleased with the result then you smile and nod your head up and down to show your appreciation.

Step 5: you say the prayer "Sake Ka-Tha" such as "Na Jung Ngung" three times. And then stamp down the floor three times.

Step 6: "Yang Sam Khum" to your corner then bend your body down to salute the counterpart.

Payak Dom Kwang

To perform the "Payak Dom Kwang" style.

Start with Wai Kru from the Dhep Phanom form until stand up with the Dhep Nimitra form.

Step 1: turn round your body to the right direction to wai "Phra Brahma : the right direction" for one time.

Step 2: from the Kow Yang, while the left foot is front, bend your body down frontward tighten the fist, raise your elbow to block the front side and instantly turn around to look at the backside which is look at the counterpart , the right arms and right foot are behind. Nod your head up and down to the counterpart one or two times

Step 3: repeat step 2 but switch the use the right foot front instead. And then repeat the step 2 and 4, which turn to perform until complete all 4 directions. Then go back to your corner with "Kow Yang" and bend body down to salute the counterpart. The "Payak Dom Kwang" and " Kwang Leow Lung" perform similar style.

There are many other Techniques like Sue Lak Hang, SOW NOY PRA PANG, Tha Wai Bung Kom, and Chak Pang Pad Nah, if you guys want to know about them too then please do let me know i will try my best to Write on them too... in next Step i will try to go a little about Muay Thai Terminology.